
command sent a garment bag. inside is 'appropriate evening wear for diplomatic function.' she opens it like it might be booby-trapped. it is, in a way.

dark blue. backless. slit to the thigh. 'this is not tactical.' it's also not optional. she reads the attached card: 'don't wear your boots.' she's going to wear her boots.

the gown fits like it was tailored for her. it was. command planned this. the dog tags hang over the neckline. she's not removing them. that's not negotiable.
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she stands at attention out of habit and the gown responds. the scar catches the light. the dog tags are wrong for the outfit and perfect for the woman. she looks like a weapon dressed as a diplomat.

she straps a knife to her thigh through the slit. 'standard precaution.' it's a diplomatic reception, not a war zone. she knows the difference. she doesn't trust it.

she walks out in the gown and the boots. the boots are not negotiable. 'ready.' the diplomatic corps will survive the footwear. whether they survive her is their problem.
featuring Rei
Story 82 · 6 panels

she shoves him into the wall. the impact echoes. her hands on his chest, pinning. 'you looked at me in the briefing.' 'I always look at you.' 'not like that. not in front of—' he kisses her mid-sentence. the sentence dies well.

shirts gone. her back finds the wall — he reversed the position and she allowed it because the wall is cold on her skin and his chest is warm against hers and the contrast is everything.

he lifts her. her legs wrap around his waist — muscle memory from combat grappling repurposed entirely. her back is against the wall and she's eye-level with him for the first time. 'don't drop me.' 'never.'

the wall takes her weight and he takes everything else. the dog tags clink between them with every movement — a rhythm that has no regulation and no precedent. her nails find his shoulders. 'harder.' the command voice. even here.
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her head hits the wall. eyes closed. the command voice breaks into something wordless and honest. the commander is gone. the woman is here and the woman is loud and the wall is the only thing keeping her upright besides him.

they slide down the wall. end up on the floor. tangled. her forehead on his shoulder. both breathing like they've run a combat course. 'the wall has drywall damage.' 'I'll fix it.' 'you'll fix it?' 'I broke it.' she's laughing. the commander is laughing on the floor of her quarters with drywall dust in her hair. unprecedented.
featuring Rei
Story 1 · 8 panels

seventy-two hours. zero casualties. mission complete. she locks the door behind her. 'dismissed.'

the vest hits the floor. twelve pounds of kevlar and ceramic plate. she doesn't flinch at the weight leaving her shoulders. she never does.

the shirt comes off in one motion. clinical. efficient. the bruise on her ribs is new. she catalogs it without comment.

she sits on the cot. one boot. then the other. the socks underneath are regulation black. everything about her is regulation. almost everything.

pants folded. placed on the chair. even exhausted, the discipline holds. the woman underneath is lean muscle and quiet damage.

'at ease.' she says it to herself. the uniform comes off one button at a time. underneath the commander is just a woman with scars.

no rank. no insignia. just skin and dog tags and the sound of her own breathing. she hasn't heard silence in three days.

she falls forward onto the cot. doesn't pull the blanket. the commander sleeps like she fights — alone, efficient, and without asking permission.
featuring Rei
Story 4 · 6 panels

shrapnel. left side. superficial. she waves off the medic with a look that could stop arterial bleeding on its own.

'I'll handle it.' three words. the medic leaves. rei opens the jacket with steady hands because unsteady hands are not an option.

she lifts the shirt to the wound line. no further. the cut is clean. four inches. she's had worse from training.

needle in. through. pull. she counts stitches like breathing exercises. one. two. three. her hand does not shake. four.

seven stitches. field-clean. she wraps the bandage herself because letting someone that close to her body requires a security clearance she hasn't issued.

bandaged. buttoned. done. she sits for one moment with her head down. just one. then the commander stands back up and the woman disappears.
end
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