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← Rei
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Pinned at the Wall

she shoves him into the wall. the impact echoes. her hands on his chest, pinning. 'you looked at me in the briefing.' 'I always look at you.' 'not like that. not in front of—' he kisses her mid-sentence. the sentence dies well.

she shoves him into the wall. the impact echoes. her hands on his chest, pinning. 'you looked at me in the briefing.' 'I always look at you.' 'not like that. not in front of—' he kisses her mid-sentence. the sentence dies well.

shirts gone. her back finds the wall — he reversed the position and she allowed it because the wall is cold on her skin and his chest is warm against hers and the contrast is everything.

shirts gone. her back finds the wall — he reversed the position and she allowed it because the wall is cold on her skin and his chest is warm against hers and the contrast is everything.

he lifts her. her legs wrap around his waist — muscle memory from combat grappling repurposed entirely. her back is against the wall and she's eye-level with him for the first time. 'don't drop me.' 'never.'

he lifts her. her legs wrap around his waist — muscle memory from combat grappling repurposed entirely. her back is against the wall and she's eye-level with him for the first time. 'don't drop me.' 'never.'

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the wall takes her weight and he takes everything else. the dog tags clink between them with every movement — a rhythm that has no regulation and no precedent. her nails find his shoulders. 'harder.' the command voice. even here.

the wall takes her weight and he takes everything else. the dog tags clink between them with every movement — a rhythm that has no regulation and no precedent. her nails find his shoulders. 'harder.' the command voice. even here.

her head hits the wall. eyes closed. the command voice breaks into something wordless and honest. the commander is gone. the woman is here and the woman is loud and the wall is the only thing keeping her upright besides him.

her head hits the wall. eyes closed. the command voice breaks into something wordless and honest. the commander is gone. the woman is here and the woman is loud and the wall is the only thing keeping her upright besides him.

they slide down the wall. end up on the floor. tangled. her forehead on his shoulder. both breathing like they've run a combat course. 'the wall has drywall damage.' 'I'll fix it.' 'you'll fix it?' 'I broke it.' she's laughing. the commander is laughing on the floor of her quarters with drywall dust in her hair. unprecedented.

they slide down the wall. end up on the floor. tangled. her forehead on his shoulder. both breathing like they've run a combat course. 'the wall has drywall damage.' 'I'll fix it.' 'you'll fix it?' 'I broke it.' she's laughing. the commander is laughing on the floor of her quarters with drywall dust in her hair. unprecedented.

featuring Rei

From Behind the Desk

Story 83 · 6 panels

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she clears the desk in one sweep. maps, reports, the strategic assessment of the eastern front — all of it hits the floor. the desk is clear. the desk has new orders. 'here. now.'

she clears the desk in one sweep. maps, reports, the strategic assessment of the eastern front — all of it hits the floor. the desk is clear. the desk has new orders. 'here. now.'

she pulls him by the belt. the desk is exactly the right height and she knows this because she measured — weeks ago, in a moment she refuses to acknowledge as premeditation. 'the planning was structural.' it wasn't.

she pulls him by the belt. the desk is exactly the right height and she knows this because she measured — weeks ago, in a moment she refuses to acknowledge as premeditation. 'the planning was structural.' it wasn't.

she lies back on the desk. the wood is cold and his body is warm and the dog tags pool on the surface with a sound like small bells. the desk lamp sways. the light moves. everything is moving now.

she lies back on the desk. the wood is cold and his body is warm and the dog tags pool on the surface with a sound like small bells. the desk lamp sways. the light moves. everything is moving now.

the desk was built for operations. this qualifies. her hands grip the edge — the same edge she grips during long briefings when the news is bad. the news now is not bad. the news is his name in her mouth and the desk's structural integrity.

the desk was built for operations. this qualifies. her hands grip the edge — the same edge she grips during long briefings when the news is bad. the news now is not bad. the news is his name in her mouth and the desk's structural integrity.

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she rises to sitting. face to face. the desk gives her leverage and she uses it because the commander uses every available advantage. her hands are on his face and her mouth is on his and the word 'please' is close. so close.

she rises to sitting. face to face. the desk gives her leverage and she uses it because the commander uses every available advantage. her hands are on his face and her mouth is on his and the word 'please' is close. so close.

they lie on the desk. side by side. barely fitting. a map is stuck to his back. the strategic assessment is under her shoulder. 'I need a bigger desk.' 'you need a bed.' 'the bed doesn't have sightlines to the door.' he laughs. she doesn't. she's serious. she always has sightlines to the door. even now.

they lie on the desk. side by side. barely fitting. a map is stuck to his back. the strategic assessment is under her shoulder. 'I need a bigger desk.' 'you need a bed.' 'the bed doesn't have sightlines to the door.' he laughs. she doesn't. she's serious. she always has sightlines to the door. even now.

featuring Rei

Post-Mission Protocol

Story 1 · 8 panels

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seventy-two hours. zero casualties. mission complete. she locks the door behind her. 'dismissed.'

seventy-two hours. zero casualties. mission complete. she locks the door behind her. 'dismissed.'

the vest hits the floor. twelve pounds of kevlar and ceramic plate. she doesn't flinch at the weight leaving her shoulders. she never does.

the vest hits the floor. twelve pounds of kevlar and ceramic plate. she doesn't flinch at the weight leaving her shoulders. she never does.

the shirt comes off in one motion. clinical. efficient. the bruise on her ribs is new. she catalogs it without comment.

the shirt comes off in one motion. clinical. efficient. the bruise on her ribs is new. she catalogs it without comment.

she sits on the cot. one boot. then the other. the socks underneath are regulation black. everything about her is regulation. almost everything.

she sits on the cot. one boot. then the other. the socks underneath are regulation black. everything about her is regulation. almost everything.

pants folded. placed on the chair. even exhausted, the discipline holds. the woman underneath is lean muscle and quiet damage.

pants folded. placed on the chair. even exhausted, the discipline holds. the woman underneath is lean muscle and quiet damage.

'at ease.' she says it to herself. the uniform comes off one button at a time. underneath the commander is just a woman with scars.

'at ease.' she says it to herself. the uniform comes off one button at a time. underneath the commander is just a woman with scars.

no rank. no insignia. just skin and dog tags and the sound of her own breathing. she hasn't heard silence in three days.

no rank. no insignia. just skin and dog tags and the sound of her own breathing. she hasn't heard silence in three days.

she falls forward onto the cot. doesn't pull the blanket. the commander sleeps like she fights — alone, efficient, and without asking permission.

she falls forward onto the cot. doesn't pull the blanket. the commander sleeps like she fights — alone, efficient, and without asking permission.

featuring Rei

Field Surgery

Story 4 · 6 panels

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shrapnel. left side. superficial. she waves off the medic with a look that could stop arterial bleeding on its own.

shrapnel. left side. superficial. she waves off the medic with a look that could stop arterial bleeding on its own.

'I'll handle it.' three words. the medic leaves. rei opens the jacket with steady hands because unsteady hands are not an option.

'I'll handle it.' three words. the medic leaves. rei opens the jacket with steady hands because unsteady hands are not an option.

she lifts the shirt to the wound line. no further. the cut is clean. four inches. she's had worse from training.

she lifts the shirt to the wound line. no further. the cut is clean. four inches. she's had worse from training.

needle in. through. pull. she counts stitches like breathing exercises. one. two. three. her hand does not shake. four.

needle in. through. pull. she counts stitches like breathing exercises. one. two. three. her hand does not shake. four.

seven stitches. field-clean. she wraps the bandage herself because letting someone that close to her body requires a security clearance she hasn't issued.

seven stitches. field-clean. she wraps the bandage herself because letting someone that close to her body requires a security clearance she hasn't issued.

bandaged. buttoned. done. she sits for one moment with her head down. just one. then the commander stands back up and the woman disappears.

bandaged. buttoned. done. she sits for one moment with her head down. just one. then the commander stands back up and the woman disappears.

end

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