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← Rei
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Quiet Aftermath

after. the silence that follows is different from other silences. this one is populated. his arm under her head. her hand on his chest. the dog tags are warm from both of them.

after. the silence that follows is different from other silences. this one is populated. his arm under her head. her hand on his chest. the dog tags are warm from both of them.

she traces a scar on his shoulder. 'ambush. year two.' she doesn't ask. she reads his body like terrain. every scar is a map. 'this one?' 'same ambush. the second one hurt less.' 'they always do.'

she traces a scar on his shoulder. 'ambush. year two.' she doesn't ask. she reads his body like terrain. every scar is a map. 'this one?' 'same ambush. the second one hurt less.' 'they always do.'

'I was scared today.' she says it like pulling a pin. the grenade is out. his hand on her cheek. 'during the op.' 'yes.' 'you didn't show it.' 'showing it gets people killed. not feeling it kills me.' the admission sits between them. he doesn't break it.

'I was scared today.' she says it like pulling a pin. the grenade is out. his hand on her cheek. 'during the op.' 'yes.' 'you didn't show it.' 'showing it gets people killed. not feeling it kills me.' the admission sits between them. he doesn't break it.

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'I watch the roster every morning. making sure your name is still on active.' she blinks. 'every morning?' 'every morning since you first briefed my unit.' four years. he's been checking for four years. 'that's—' 'obsessive.' 'I was going to say noted.' she means everything.

'I watch the roster every morning. making sure your name is still on active.' she blinks. 'every morning?' 'every morning since you first briefed my unit.' four years. he's been checking for four years. 'that's—' 'obsessive.' 'I was going to say noted.' she means everything.

they laugh. about something small — the desk damage, the floor bruises, the time she accidentally called him by rank during sex. the laughter is easy. the easiness is new. the newness is the point.

they laugh. about something small — the desk damage, the floor bruises, the time she accidentally called him by rank during sex. the laughter is easy. the easiness is new. the newness is the point.

the talking fades. her face against his neck. his arms around her. the lamp dims — not off, because she can't sleep in total dark, and he knows this without being told. some intelligence is gathered through proximity. she falls asleep mid-sentence. he catches her.

the talking fades. her face against his neck. his arms around her. the lamp dims — not off, because she can't sleep in total dark, and he knows this without being told. some intelligence is gathered through proximity. she falls asleep mid-sentence. he catches her.

featuring Rei

Pinned at the Wall

Story 82 · 6 panels

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she shoves him into the wall. the impact echoes. her hands on his chest, pinning. 'you looked at me in the briefing.' 'I always look at you.' 'not like that. not in front of—' he kisses her mid-sentence. the sentence dies well.

she shoves him into the wall. the impact echoes. her hands on his chest, pinning. 'you looked at me in the briefing.' 'I always look at you.' 'not like that. not in front of—' he kisses her mid-sentence. the sentence dies well.

shirts gone. her back finds the wall — he reversed the position and she allowed it because the wall is cold on her skin and his chest is warm against hers and the contrast is everything.

shirts gone. her back finds the wall — he reversed the position and she allowed it because the wall is cold on her skin and his chest is warm against hers and the contrast is everything.

he lifts her. her legs wrap around his waist — muscle memory from combat grappling repurposed entirely. her back is against the wall and she's eye-level with him for the first time. 'don't drop me.' 'never.'

he lifts her. her legs wrap around his waist — muscle memory from combat grappling repurposed entirely. her back is against the wall and she's eye-level with him for the first time. 'don't drop me.' 'never.'

the wall takes her weight and he takes everything else. the dog tags clink between them with every movement — a rhythm that has no regulation and no precedent. her nails find his shoulders. 'harder.' the command voice. even here.

the wall takes her weight and he takes everything else. the dog tags clink between them with every movement — a rhythm that has no regulation and no precedent. her nails find his shoulders. 'harder.' the command voice. even here.

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her head hits the wall. eyes closed. the command voice breaks into something wordless and honest. the commander is gone. the woman is here and the woman is loud and the wall is the only thing keeping her upright besides him.

her head hits the wall. eyes closed. the command voice breaks into something wordless and honest. the commander is gone. the woman is here and the woman is loud and the wall is the only thing keeping her upright besides him.

they slide down the wall. end up on the floor. tangled. her forehead on his shoulder. both breathing like they've run a combat course. 'the wall has drywall damage.' 'I'll fix it.' 'you'll fix it?' 'I broke it.' she's laughing. the commander is laughing on the floor of her quarters with drywall dust in her hair. unprecedented.

they slide down the wall. end up on the floor. tangled. her forehead on his shoulder. both breathing like they've run a combat course. 'the wall has drywall damage.' 'I'll fix it.' 'you'll fix it?' 'I broke it.' she's laughing. the commander is laughing on the floor of her quarters with drywall dust in her hair. unprecedented.

featuring Rei

Post-Mission Protocol

Story 1 · 8 panels

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seventy-two hours. zero casualties. mission complete. she locks the door behind her. 'dismissed.'

seventy-two hours. zero casualties. mission complete. she locks the door behind her. 'dismissed.'

the vest hits the floor. twelve pounds of kevlar and ceramic plate. she doesn't flinch at the weight leaving her shoulders. she never does.

the vest hits the floor. twelve pounds of kevlar and ceramic plate. she doesn't flinch at the weight leaving her shoulders. she never does.

the shirt comes off in one motion. clinical. efficient. the bruise on her ribs is new. she catalogs it without comment.

the shirt comes off in one motion. clinical. efficient. the bruise on her ribs is new. she catalogs it without comment.

she sits on the cot. one boot. then the other. the socks underneath are regulation black. everything about her is regulation. almost everything.

she sits on the cot. one boot. then the other. the socks underneath are regulation black. everything about her is regulation. almost everything.

pants folded. placed on the chair. even exhausted, the discipline holds. the woman underneath is lean muscle and quiet damage.

pants folded. placed on the chair. even exhausted, the discipline holds. the woman underneath is lean muscle and quiet damage.

'at ease.' she says it to herself. the uniform comes off one button at a time. underneath the commander is just a woman with scars.

'at ease.' she says it to herself. the uniform comes off one button at a time. underneath the commander is just a woman with scars.

no rank. no insignia. just skin and dog tags and the sound of her own breathing. she hasn't heard silence in three days.

no rank. no insignia. just skin and dog tags and the sound of her own breathing. she hasn't heard silence in three days.

she falls forward onto the cot. doesn't pull the blanket. the commander sleeps like she fights — alone, efficient, and without asking permission.

she falls forward onto the cot. doesn't pull the blanket. the commander sleeps like she fights — alone, efficient, and without asking permission.

featuring Rei

Field Surgery

Story 4 · 6 panels

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shrapnel. left side. superficial. she waves off the medic with a look that could stop arterial bleeding on its own.

shrapnel. left side. superficial. she waves off the medic with a look that could stop arterial bleeding on its own.

'I'll handle it.' three words. the medic leaves. rei opens the jacket with steady hands because unsteady hands are not an option.

'I'll handle it.' three words. the medic leaves. rei opens the jacket with steady hands because unsteady hands are not an option.

she lifts the shirt to the wound line. no further. the cut is clean. four inches. she's had worse from training.

she lifts the shirt to the wound line. no further. the cut is clean. four inches. she's had worse from training.

needle in. through. pull. she counts stitches like breathing exercises. one. two. three. her hand does not shake. four.

needle in. through. pull. she counts stitches like breathing exercises. one. two. three. her hand does not shake. four.

seven stitches. field-clean. she wraps the bandage herself because letting someone that close to her body requires a security clearance she hasn't issued.

seven stitches. field-clean. she wraps the bandage herself because letting someone that close to her body requires a security clearance she hasn't issued.

bandaged. buttoned. done. she sits for one moment with her head down. just one. then the commander stands back up and the woman disappears.

bandaged. buttoned. done. she sits for one moment with her head down. just one. then the commander stands back up and the woman disappears.

end

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